Ali Haji Moradi

I am Ali Haji Moradi, born in 1365 and a graduate of Tehran University of Art in sculpture, because of sculpture and the fact that Iranian identity was important to me, I tested some of the other fields of Iranian art, including calligraphy, carpets, drawing, mosaics, and painting. I tried to get help from reputable professors to involve them in my work. And the start of my professional work in the field of art started from this direction. And there I got to know Hyper Real and I started working and after working for a while it became more professional and I learned different techniques and followed foreign professors who helped me a lot.

At the same time, I was attracted to the subject of sleep, which I have been following for nearly ten years now, and most of the psychological part of the story is more colorful for me, and if I want to go into the details of how detailed his face is, this is not very important to me. It is important for the audience to get involved in who is sleeping and how deep is his sleep and why he is asleep and to conjure up a story for himself. This topic is very colorful for me and because of this psychological part of the story I follow it very much. Hyperreal is a style that is realistic to The subject of minke looks in a way that deceives the eye that you think that this subject is real and anything can be an animal or a human being, the human part is much more colorful.

This style of work is imported from abroad and what I do is different, I mix this style, the dimensions, otherwise there are artists who work with dimensions one by one and I am not very interested in it and I try to escape from it. And I make most of the dimensions bigger or smaller, which has many difficult challenges. There are relatively few hyperrealists in the world.

I was not impressed and entered into this story, of course, I liked the hyper-real style and because I had experience in writing, it was easy for me to work with very small details, then I realized that I really like this and continued and did a few things right. I did and learned the techniques of this work in general.

Later, it became very interesting to me, I went to the professors of this field in other countries, I received good feedback in two invitations, one was at the Museum of Contemporary Art, the first course was when I presented hyperreal work for an exhibition and the second series at the Unity Hall. It was held in Tehran. It was a statue that was sleeping and I spent a lot of time on it. It attracted many domestic and foreign audiences and it had a very good feedback, which made me continue this path again.